This is the final music posting – at least for a while. I have managed to catch up on the music postings and equilibrium is restored in my life! Hopefully the stories will return tomorrow if I can think of one!
Here are a couple of mazurkas. A mazurka is a Polish dance in triple meter, fairly lively, with the accent on the second or third beat.
The most famous mazurkas are Chopin’s – at least until now!
Mazurka 1 – audio HERE; sheet music HERE Mazurka 2 – audio HERE; sheet music HERE
Here is a piano sonata in 3 movements. It is “serial music” – a 20th century style – so it might not be to everyone’s taste! After today there’s only one more music posting – tomorrow – at least for now.
1st Movement – audio HERE; sheet music HERE 2nd Movement – audio HERE; sheet music HERE 3rd Movement – audio HERE; sheet music HERE
There will be music postings for today and the two days that follow, and then we will be back to normal!
Here are four waltzes (almost) for piano. A couple of them have been posted here before in a different context, e.g. “His first waltz” was part of “Little Suite 2 with fifteen sketches”.
They’re “almost” waltzes because the third one would require two and a half legs to dance to.
Here then are “Four little almost waltzes”:
1. The night’s still young – audio HERE; sheet music HERE 2. His first waltz – audio HERE; sheet music HERE 3. Almost a waltz – audio HERE; sheet music HERE 4. The wallflower – audio HERE; sheet music HERE
We continue the streak of no-stories today while we catch up with some music postings.
Today’s music is called Rondo adagio. For those who don’t know and have wondered all their life what a Rondo is, it’s when the original tune (Section A) keeps coming back. So the form of a Rondo is something like: Tune A, Tune B, Tune A, Tune C, Tune A.
Here then is Rondo adagio. Click HERE for the audio, and HERE for the sheet music.
Once again there is no story today, as we catch up on posting music.
Here are 8 Nocturnes for piano. Appropriately, tomorrow is the Winter Solstice, so a little night music from the Southern Hemisphere is not out of place.
Nocturne 1 – audio HERE; sheet music HERE
Nocturne 2 – audio HERE; sheet music HERE
Nocturne 3 – audio HERE; sheet music HERE
Nocturne 4 – audio HERE; sheet music HERE
Nocturne 5 – audio HERE; sheet music HERE
Nocturne 6 – audio HERE; sheet music HERE
Nocturne 7 – audio HERE; sheet music HERE
Nocturne 8 – audio HERE; sheet music HERE
Here are seven duets for four hands with two pianos. They are called “Te Popo Variations” because they are variations on tunes and Te Popo is the name of the rural area in which I live.
“Te Popo” means Dark Night – and in fact at night even with the light shining through a window you can’t see the sides of the house. I’ve never seen anything like the darkness before. It is pitch-black. The only way to walk around the house outside at night is to walk around patting the walls. It’s not scary but it’s a bit different and perhaps explains the traditional name of the place. All that has nothing to do with the music – the pieces are called “Te Popo Variations” simply because I live there.
The variations are duet arrangements of old hymns. I found in a second hand book shop’s reject bin an old hymnal called “Hymns Ancient and Modern”. It cost all of fifty cents. Inside is written “A token of affection from the Scholars of S. Barnabas Sunday School. 21 June 1917”. The arrangements are a little irreverent perhaps at times. I simply took a hymn or two at random and recomposed them with a bit more oomph! Incidentally the hymn book is still used today but is much updated.
Here then are seven duets for two pianos –Te Popo Variations.
Te Popo Variations 1: Audio HERE, sheet music HERE.
Te Popo Variations 2: Audio HERE, sheet music HERE.
Te Popo Variations 3: Audio HERE, sheet music HERE.
Te Popo Variations 4: Audio HERE, sheet music HERE.
Te Popo Variations 5: Audio HERE, sheet music HERE.
Te Popo Variations 6: Audio HERE, sheet music HERE.
Te Popo Variations 7: Audio HERE, sheet music HERE.
These nine pieces for the piano are based on Anglican psalm chants. I have an Anglican Psalter with 242 chants – goodness knows where I got it from! – and each of these piano pieces is based on one or two chants from the psalter chosen at random. I hope I don’t get sent to hell for wrecking the chants! I can’t remember which chant I used for what as I’m totally disorganized and and have long abandoned any semblance of organization.
At first, since they were based on something religious, I called them after the monastic Liturgy of the Hours: Matins, Lauds, Vespers, Compline, etc. There were eight traditional prayer times, and then I wrote another piece and there were 9 pieces and only 8 liturgical prayer Hours! So I thought what the heck and named them after the hours of the day. The pieces really having nothing to do with the hours of the day and nothing to do with the Liturgy of the Hours, but things have to have some order!
I was pretty familiar with the Anglican chants as when I was a “monk” and everything changed from Latin to English we didn’t have much in the way of music to sing the Liturgy of the Hours (aka Divine Office) in English so we “pinched” the music from the Anglicans! Anyway, all I know now is that these 9 piano pieces have absolutely nothing to do with the hours of the day, nothing to do with the monastic Liturgy of the Hours, and nothing to do with the Anglican psalmody except I started out by stealing the psalmodies’ harmonies!
Here are three Etudes for piano. Basically an Etude is an exercise for improving on a specific skill in playing a specific instrument, but people like Chopin managed to turn them into pieces good enough to play in a concert.